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Cupcakes, Pinterest, and Ladyporn: Feminized Popular Culture in the Early Twenty-First Century (Feminist Media Studies)

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As these essays show, the imperative of productivity currently permeating feminized pop culture has created a generation of texts that speak as much to women's roles as public and private workers as to an impulse for fantasy or escape. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more. Incisive and compelling, Cupcakes, Pinterest, and Ladyporn sheds new light on contemporary women's engagement with an array of media forms in the context of postfeminist culture and neoliberalism. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.

Biography: Elana Levine is an associate professor in the Department of Journalism, Advertising, and Media Studies at the University of Wisconsin-Milwaukee. You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice. These are just a few of the perspectives women are sharing on their relationship with porn, thanks to the first annual Ladyporn Day.

Street Renaissance Artists' Market 24 Blocks on 6th Street from Brazos to I-35 24-Hour Fitness 24/7 Cleaning Services 2823 Manor 290 Flea Market 2924 Highway 21 E Paige, TX 2DayPostcards. Cupcakes, Pinterest, and Ladyporn offers a concise, engaged, and fascinating set of analyses on things feminine, female, and feminist in the context of popular media culture. There's also a lot of anti-porn feminists from the second wave of feminism in the 1970s who say that porn is wrong and porn is degrading. Feminized popular culture belongs to a long-standing concept that developed from mass-targeted products and limited perceptions of gender roles.

Though often dismissed as frivolous or excessively emotional, feminized culture in reality offers compelling insights into the American experience of the early twenty-first century. This will be the definitive volume on 'post-feminist' popular cultural productions for some time to come. A striking case is made about the sitcom 2 Broke Girls which, perhaps unknowingly, uses [End Page 2] cupcakes as a symbol of restoring white middle-class femininity, as well as an escape from poverty and racial integration. The femininity of American popular culture unfortunately remains tied to a white cis-gendered and heteronormative set of traits, a fact that Levine acknowledges.This initiative aims to attack or take possession of the term “bossy,” which has a derogative association with outspoken girls and women. Neither ProQuest nor its licensors make any representations or warranties with respect to the translations.

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